The White Snake, The old globe, Guthrie Theater, Goodman Theatre, Oregon Shakespeare Festival, Berkeley Repertory, McCarter Theatre

“The most delightful of the play’s characters is a mischievous slitherer called Green Snake...McBride fills that role, seemingly having as much fun playing it as I had in watching her.”
— Leo Stutzin, Huffington Post
“As limber as a rag doll...McBride must have the most fluid chakras in theater.”
— San Diego Reader
“...a delightfully feisty actress, using just the right snideness to handle the script’s dry humor...”
— Ken Jaworowski, New York Times
“...a firecracker performance...”
— Elaine Beal, EDGE San Francisco
“I want her to be my best friend too...”
— Courtney Meaker, The Sunbreak
Photo by Jenny Graham

Photo by Jenny Graham

“...Irresistibly hyper and down to earth.”
— San Diego Gay and Lesbian News
“McBride is an exceptional physical comedian...Her gusto performance contributes immeasurably to the enjoyment.”
— Rick Busciglio, examiner.com
“...a delightful comic spitfire...”
— Marty Hughley, Oregonian
“...a natural cut-up...”
— Geneva Anderson, Art Hound
“...has a subtle way of establishing an affinity with the audience...”
— NealsPaper
“McBride’s impishness and coarse manners as Greenie are a perfect foil...”
— Sam Hurwitt, The Idiolect
“...delightfully plucky as the Green Snake. She has sharp comic timing and roguishly fast changes of thought...”
— Richard Connema, Talkin' Broadway
“...delivers bright human and puppet comedy...”
— Robert Hurwitt, SFGate
“...[has] energy that cascades across the footlights.”
— Kedar K. Adour, For All Events

Twilight, Los Angeles 1992, the other theatre co.

“Tanya Thai McBride combines great comic timing with the very sadness that permeates Blues music.”
— Hector Pascual Alvarez, Chicago Stage Standard
“Deployed as caricaturists...McBride manages to hit comic notes without sacrificing [her] characters’ humanity.”
— Tony Adler, Chicago Reader
“...honest storytelling from a sublime cast.”
— The Fourth Walsh

A midsummer night's Dream, oregon Shakespeare festival

A Midsummer Night's Dream - photo by Jenny Graham

A Midsummer Night's Dream - photo by Jenny Graham

“...the individual work is outstanding, with McBride, as Hermia, setting the bar high with a hyper-energetic and unceasingly boisterous comical performance...”
— Ashland Play Reviews


The Heart of Robin Hood - Oregon Shakespeare Festival

“I’ll remember forever...Tanya Thai McBride as Plug the Dog...cracked me up as the best dog ever. I wanted to go backstage afterward and reward her with a scratch behind the ears. Man’s best friend has never been so hilarious.”
— Matt Winters, The Daily Astorian
“McBride’s physical talent captures our complete attention any time she romps on stage.”
— Portland Theatre Scene
 Backstage waiting for a treat.

 

Backstage waiting for a treat.


Yellowface, Silk Road Rising

“This paradigm displays the versatility of actresses like Tanya McBride, who flits between the roles of Leah, Hwang’s estranged lover, and the male board member of a California bank with equal aplomb.”
— Rebecca Sarwate, Edge Boston
“...falls easily into a gallery of roles ranging from amusing caricature to nuanced portrait.”
— John Dalton, Centerstage
“Public figures such as Sen. Fred Thompson and producer Cameron Mackintosh are played by an Asian-American woman (Tanya McBride) without our blinking an eye.”
— Kris Vire, Time Out Chicago
“As DHH’s ex-girlfriend, Tanya McBride is just the right amount of wary and sympathetic.”
— Catey Sullivan, Chicago Theater Beat

punkplay, Pavement Group at the Steppenwolf Garage Rep

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“Tanya McBride...delivers an outrageously hilarious monologue about inciting revolution by reading The Topic of Cancer to truckers.”
— Catey Sullivan, examiner.com
“...McBride masters various roles, including that of a fuckable Ronald Reagan.”
— Tony Adler, Chicago Reader

The Fantasticks, Porchlight Music Theatre

“...and, in the typically thankless role of The Mute, the consistently compelling and cliche-avoidant Tanya McBride.”
— Chris Jones, Chicago Tribune
“Without the usual curtains, confetti and prop box, Tanya McBride’s Mute must rely upon her graceful movement and expressive face...”
— Colin Douglas, Centerstage
“...my favorite character in the play is the elegant mute...it is incredible to witness her expressive face and fluid balletic movements, providing more magic to the stage...”
— Timothy McGuire, Chicago Theater Beat

You Asked For It!, The Neo-Futurists

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“...Tanya McBride steals the show every time she opens her mouth.”
— Don Hall, AWG: Chicago

Walk Two Moons, Adventure Stage Chicago

“...a relatable, reliable narrator...McBride alternates beautifully between excitable and wistful.”
— Lauren Whalen, Chicago Theater Beat
“Lead actor Tanya McBride shines as Sal...”
— Amy L. Hayden, Time Out Chicago
Walk Two Moons - Photo by Johnny Knight

Walk Two Moons - Photo by Johnny Knight